Titlebook: Representing the Modern Animal in Culture; Jeanne Dubino,Ziba Rashidian,Andrew Smyth Book 2014 Palgrave Macmillan, a division of Nature Am

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Untimely Metamorphoses: Darwin, Baudelaire, Woolf, and Animal rical mode of being by distinguishing it from the animals unhistorical containment in the present: cattle, characterized by their forgetfulness, remain “fettered to the moment” (60). Although this human-animal comparison seems to posit the grazing animal outside history, Nietzsche’s commentators hav

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Postcolonial Critique in a Multispecies Worldodels its critique on movements for racial justice. Historically, this move links to Enlightenment conceptions of animals that relied on the same objectifying methods used to represent slaves and the poor: sentimentality, representations of cruelty, humane manifestos. Epistemologically, the taxonomi

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cal apparatuses of Animal Studies to literary texts. Contributors address the multifarious modes of animal representation and the range of human-animal interactions that have emerged in the past 300 years.978-1-349-49151-3978-1-137-42865-3

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Book 2014Examining a wide range of works, from Gulliver‘s Travels to The Hunger Games, Representing the Modern Animal in Culture employs key theoretical apparatuses of Animal Studies to literary texts. Contributors address the multifarious modes of animal representation and the range of human-animal interactions that have emerged in the past 300 years.

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