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Titlebook: Representing Rape in Medieval and Early Modern Literature; Elizabeth Robertson,Christine M. Rose Book 2001 Palgrave Macmillan, a division

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Rape in the Medieval Latin Comedieslored the exact nature of the charge of . from which Geoffrey Chaucer was released, and its implication for the treatment of rape in his poetry.. Kathryn Gravdal, in ., has argued that in the genres of pastourelle and beast fable, rape is often tolerated, if not actually relished.. Few, however, hav
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Chaucer and Rape: Uncertainty’s Certaintiesace of Plucknett’s insistence that the gravity of such a crime converts uncertain guilt into certain innocence—where the documents that raise the issue provide “no evidence”—we now have Carolyn Dinshaw’s demonstration that the conjunction makes us better readers: as it “invites us to consider causal
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Rape and Silence: Ovid’s Mythography and Medieval Readerss of ethical or spiritual ., official commentaries and mythographies participated in later medieval discourses about rape and sexuality in various ways: by downplaying legal questions of rape, by silencing sexual violence (in the textual letter and the . body) or by decoding rape narratives as . str
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