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Titlebook: Representing Difference in the Medieval and Modern Orientalist Romance; Amy Burge Book 20161st edition The Editor(s) (if applicable) and T

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发表于 2025-3-21 17:44:29 | 显示全部楼层 |阅读模式
书目名称Representing Difference in the Medieval and Modern Orientalist Romance
编辑Amy Burge
视频video
丛书名称The New Middle Ages
图书封面Titlebook: Representing Difference in the Medieval and Modern Orientalist Romance;  Amy Burge Book 20161st edition The Editor(s) (if applicable) and T
描述.This book, the first full-length cross-period comparison of medieval and modern literature, offers cutting edge research into the textual and cultural legacy of the Middle Ages: a significant and growing area of scholarship. At the juncture of literary, cultural and gender studies, and capitalizing on a renewed interest in popular western representations of the Islamic east, this book proffers innovative case studies on representations of cross-religious and cross-cultural romantic relationships in a selection of late medieval and twenty-first century Orientalist popular romances. Comparing the tropes, characterization and settings of these literary phenomena, and focusing on gender, religion, and ethnicity, the study exposes the historical roots of current romance representations of the east, advancing research in Orientalism, (neo)medievalism and medieval cultural studies. Fundamentally, Representing Difference invites a closer look at medieval and modern popular attitudes towards the east, as represented in romance, and the kinds of solutions proposed for its apparent problems. .
出版日期Book 20161st edition
关键词Britain; culture; fiction; gender; Great Britain; history of literature; literature; Middle Ages; social sci
版次1
doihttps://doi.org/10.1007/978-1-137-59356-6
isbn_softcover978-1-349-88789-7
isbn_ebook978-1-137-59356-6Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
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发表于 2025-3-21 20:52:59 | 显示全部楼层
https://doi.org/10.1007/978-1-137-59356-6Britain; culture; fiction; gender; Great Britain; history of literature; literature; Middle Ages; social sci
发表于 2025-3-22 04:01:47 | 显示全部楼层
978-1-349-88789-7The Editor(s) (if applicable) and The Author(s) 2016
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发表于 2025-3-22 10:50:23 | 显示全部楼层
Geographies of Fantasy: Exploring the Romance East,he romance East is a fantasy. It works as exotic synesthesia, blending sensations of sound, sight, and smell and persistently deploying stock Orientalist motifs. Consider, for example, the following passage from .:
发表于 2025-3-22 13:56:05 | 显示全部楼层
Romance in the East: An Introduction,ce. For hundreds of years, Western and European popular culture has been fascinated and appalled, in equal measure, by the apparent religious, racial, cultural, social, and political alterity of the Orient. We are locked in a double bind of desire and difference. This contradiction finds particular
发表于 2025-3-22 20:02:22 | 显示全部楼层
Saracens and Sheikhs: Romance in Context,rnacular, these popular texts circulated widely and enjoyed a diverse audience, composed of both elite and lower status readers and listeners. Composed, on the whole, in verse, Middle English romances flourished in the years 1350–1500 and feature stock characters, motifs, and storylines, including r
发表于 2025-3-22 21:48:00 | 显示全部楼层
,“For You are a Man and She is a Maid”: Gender and the East,n which the romance genre is predicated: it is the opposition of normative gender identities of masculinity and femininity that facilitates the romantic relationship. However, these gender identities become less certain, less clearly defined when they are collocated with Eastern ethnic or religious
发表于 2025-3-23 02:52:15 | 显示全部楼层
,“Neither Fish Nor Fowl”: Representing Difference, Fabricating Sameness,ntioned, otherness is figured differently in Middle English romance—where religion is the primary marker of variation— and modern sheikh romance—where religion is subsumed into culture and ethnicity stands as the main difference between East and West. Yet, how is such difference represented? Indeed,
发表于 2025-3-23 07:33:32 | 显示全部楼层
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