Titlebook: Representations of Loss in Irish Literature; Deirdre Flynn,Eugene O‘Brien Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 J

interlude

‘The Wake? What of It?’: Figures of Loss in the Migrant Plays of Colm Ó Clubháne agitprop theatre group, the Brixton Faeries. Through the 1980s, he began to write plays and poetry addressing the migrant identity and belonging—especially the difficult interstitial identities of the queer ethnic migrant. His first play, . (1985), performed for both LGBT and Irish theatre audienc

Delirium

Book 2018t of death, but feelings of loss in the wake of immigration and of the loss of certainties that defined notions of identity are also analysed. This volume will be of interest to scholars, students and researchers in Irish Studies, loss, memory, trauma, death, and cultural studies.

火光在摇曳

arabesque

Lost? Technology and Place in Recent Irish Poetryngagement with technology varies between concerns with technological control and alienation on the one hand, and, on the other, a curiosity regarding the new forms of mediation that we adopt to communicate our place in the world.

蛰伏

热情赞扬

Introduction: Defining Representations of Loss, and loss and offers a brief synopsis of the many emblematic works of literature that take loss as their starting point. Loss here is a broad field encompassing loss of life, loss of identity, financial loss and loss of a sense of self.

简洁

慷慨不好

‘A Pure Change Happened’: Seamus Heaney and the Poetry of Lossther and father; this chapter will explore his own very poignant use of poetry to reveal connections and emotions that might otherwise have remained buried. It suggests that through what Walter Benjamin called the “gift of thinking poetically”, we see a nuanced attention to language and to the representation of loss.

FATAL

一再烦扰

New Directions in Irish and Irish American Literaturehttp://image.papertrans.cn/r/image/827486.jpg