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Titlebook: Representations of Early Byzantine Empresses; Image and Empire Anne McClanan Book 2002 Palgrave Macmillan, a division of Nature America Inc

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书目名称Representations of Early Byzantine Empresses
副标题Image and Empire
编辑Anne McClanan
视频video
丛书名称The New Middle Ages
图书封面Titlebook: Representations of Early Byzantine Empresses; Image and Empire Anne McClanan Book 2002 Palgrave Macmillan, a division of Nature America Inc
描述This book reconsiders a wide array of images of Byzantine empresses on media as diverse as bronze coins and gold mosaic from the fifth through to the seventh centuries A.D. The representations have often been viewed in terms of individual personas, but strong typological currents frame their medieval context. Empress Theodora, the target of political pornography, has consumed the bulk of past interest, but even her representations fit these patterns. Methodological tools from fields as disparate as numismatics as well as cultural and gender studies help clarify the broader cultural significance of female imperial representation and patronage at this time.
出版日期Book 2002
关键词empire; gender; gender studies; history
版次1
doihttps://doi.org/10.1007/978-1-137-04469-3
isbn_softcover978-1-349-63536-8
isbn_ebook978-1-137-04469-3Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightPalgrave Macmillan, a division of Nature America Inc. 2002
The information of publication is updating

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Representations of Early Byzantine Empresses978-1-137-04469-3Series ISSN 2945-5936 Series E-ISSN 2945-5944
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The New Middle Ageshttp://image.papertrans.cn/r/image/827465.jpg
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Early Byzantine Steelyard Weights: Potency and Diffusion of the Imperial Image,ter will show that the identification of empress steelyard weights as portraits of specific historical figures is no longer tenable, and offers a counterpoint to the “cult of personality” that swirls around our discussion of the individual historical figures represented on luxury goods.The distribut
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The Patronage of the Empress Theodora and Her Contemporaries,and Victor Tonnensis. John Lydos, another courtier in Constantinople, offers perhaps the most direct corrective to Prokopios.. To this wealth of resources can be added epigraphic traces, which comprise monograms and inscriptions that once emblazoned major buildings of the era. For example, a series
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The Visual Representation of the Empress Theodora,rranted inclusion on coinage, but Theodora was absent from any coins, one of the core vehicles of the imperial image. The San Vitale portrait carefully crafts Theodora and her cohort’s likeness through the standard imperial iconography; it interests us here for its ordinariness in those official ter
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