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Titlebook: Representation and Black Womanhood; The Legacy of Sarah Natasha Gordon-Chipembere Book 2011 The Author(s) 2011 Africa.Narrative.poetry.spa

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发表于 2025-3-21 16:26:33 | 显示全部楼层 |阅读模式
书目名称Representation and Black Womanhood
副标题The Legacy of Sarah
编辑Natasha Gordon-Chipembere
视频video
概述As the "Hottentot Venus," Baartman remains a perpetual object of fascination for scholars examining race and colonialism.GordonChipembere has brought together historians, gender theorists, literary sc
图书封面Titlebook: Representation and Black Womanhood; The Legacy of Sarah  Natasha Gordon-Chipembere Book 2011 The Author(s) 2011 Africa.Narrative.poetry.spa
描述.Sarah Baartman‘s iconic status as the "Hottentot Venus" - as "victimized" African woman, "Mother" of the new South Africa, and ancestral spirit to countless women of the African Diaspora - has led to an outpouring of essays, biographies, films, interviews, art installations, and centers, comprising a virtual archive that seeks to find some meaning in her persona. Yet even those with the best intentions, fighting to give Baartman agency, a voice, a personhood, continue to service the general narratives of European documentation of her life without asking "What if we looked at Baartman through another lens?" This collection is the first of its kind to offer a space for international scholars, cultural activists, and visual artists to examine the legacy of Baartman‘s life anew, specifically finding an alternative Africanist rendering of a person whose life has left a profound impact on the ways in which Black women are displayed and represented the world over..
出版日期Book 2011
关键词Africa; Narrative; poetry; space; women
版次1
doihttps://doi.org/10.1057/9780230339262
isbn_softcover978-1-137-58160-0
isbn_ebook978-0-230-33926-2
copyrightThe Author(s) 2011
The information of publication is updating

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Placing and Replacing “The Venus Hottentot”: An Archeology of Pornography, Race, and Powerut Baartman, . adds that “The Hottentot Venus was not a piece of art at all. Instead, it-rather, she-was a person named Sarah Baartman.”. The article is an interesting commentary on the value of Baartman’s body and her place as an object, even contemporaneously. Nearly 200 years after her death in 1
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scholars, cultural activists, and visual artists to examine the legacy of Baartman‘s life anew, specifically finding an alternative Africanist rendering of a person whose life has left a profound impact on the ways in which Black women are displayed and represented the world over..978-1-137-58160-0978-0-230-33926-2
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“Body” of Evidence: Saartjie Baartman and the Archiveto shoo a fly—mistress of all I surveyed. Nothing would make me happier, the five-year-old me thought, than to one day be a woman with ample hips and a generous bosom. To be beautiful. To be a sight to behold.
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