Titlebook: Remembering the Occupation in French film; National Identity in Leah D. Hewitt Book 2008 Palgrave Macmillan, a division of Nature America I

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Studies in European Culture and Historyhttp://image.papertrans.cn/r/image/826847.jpg

令人心醉

Book 2008When collective memory is a source of national debate, the public representation of history quickly becomes a locus of controversy and ideological struggle. This work shows how French film has allowed for a public airing of current concerns through the lens of memory‘s recreations of the Occupation.

Inflammation

https://doi.org/10.1057/9780230612105cinema; Europe; film; history

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大方一点

Film as Memory: A Battleground for Shaping Identity,population during the Second World War.”. The fixation on the war’s moral dimensions has no doubt besieged all of postwar Europe. It has been particularly acute in France, as the French have persistently and agonizingly reconsidered the war’s effects on their “collective memory.”

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闷热

Interlocking

2945-6274 ogical struggle. This work shows how French film has allowed for a public airing of current concerns through the lens of memory‘s recreations of the Occupation.978-1-349-37070-2978-0-230-61210-5Series ISSN 2945-6274 Series E-ISSN 2945-6282

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尖酸一点

,Transitions Before the “Sorrow”: Criticism and Myth in the Late 1950s and Early 1960s,as has noted, in 1945, de Gaulle’s interim government created a “Ministry of Reconstruction” that became a “Ministry of Construction” under the Fifth Republic’s first government. In addition to rebuilding the physical sites of destroyed movie theaters and studios, “the most pressing concern was to r