Titlebook: Religion in Literature and Film in South Asia; Diana Dimitrova Book 2010 Palgrave Macmillan, a division of Nature America Inc. 2010 film.I

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Censorship, Social Reform, and Mythological Drama in Colonial Indiarwise prejudicial to the public interests,” “likely to excite feelings of disaffection to the Government established by law in British India” or “likely to deprave and corrupt persons present at the performance “According to the Act, which applied to all of British India, the director, actors, and t

Debark

From Kurukṣetra to Rāmarājya: A Comparative Analysis of the Star Personas of Amitabh Bachchan and Shcon, the embodiment of a twenty- first-century India, and a one-man industry capable of articulating and representing the Zeitgeist of a billion people who constitute the nation: Shah Rukh Khan (hereafter SRK). Thirty years ago, following the successes of films like . (The Chain, 1973), . (Embers, 1

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anthropologist

From Kurukṣetra to Rāmarājya: A Comparative Analysis of the Star Personas of Amitabh Bachchan and She who constitute the nation: Shah Rukh Khan (hereafter SRK). Thirty years ago, following the successes of films like . (The Chain, 1973), . (Embers, 1975), and . (The Wall, 1975), all starring the screen legend Amitabh Bachchan, one could have just as easily declared: “Only violence and Bachchan sell.”

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