Titlebook: Reintegrating Severance; Interdisciplinary In Nora M. Isacoff,Jennifer Dawes Book 2024 The Editor(s) (if applicable) and The Author(s), und

Cocker

Self-Communication in Severed Minds: Perspectives from Neuroscience, Psychology, and Philosophyts? A persistent unified whole?—and pinpoint similar arguments articulated by . characters. In bringing together insights from neuroscience, psychology, philosophy, and fiction, I hope to provide a richly integrated tapestry of ideas about the complexity of the human experience.

纠缠,缠绕

“Who Are You?”: Memory, History, and Nostalgia on the Severed Floor a company that serves the world is enough for him. Irving’s response is conditioned by the company’s nostalgic mythology that permeates the severed floor of Lumon. When the characters begin to question this constructed history, they map their place and space as a way to create an alternative context as well as an escape.

Urea508

Severed from Reality: The Irrationality of Rationality in Advanced-Stage Capitalismtant, nameless bureaucrats. A goal of this piece is to provide additional context to the show’s critique of capitalism by reviewing the works of social theorists like Marx and Weber. In addition to expounding on the contradictions inherent to capitalism, we consider possible avenues for liberation and change.

Defraud

An Investigation of Marxist Alienation in the Postmodern Workplace in Apple TV’s ess and self, dramatizing fears surrounding the workplace that trace a direct lineage to Marx and resemble dramatizations in Kafka’s ., the absurdist works of Albert Camus and movies like . (2004). . also captures the essence of workers’ resistance against the “conspiracy” of alienation.

Oversee

Brain Eugenics: How to Produce an Ideal Worker?esubjectification of the workers and their loss of humanity, where they may live forever, but with a memory that can be erased and activated at any time for a precise time and with respect to the goals Lumon Industries wants to achieve.

没花的是打扰

的是兄弟

The Grim Barbarity of Capitalist Designs: Class Conflict, Corporate Dystopia, and the Sacred Gaze inat the scripture of the . alone is not enough to ensure worker belief and loyalty, and so creates cultural objects that root the Handbook in a historiographical narrative of Lumon’s past. This essay addresses the visual culture of Lumon’s civil religion, centering on the collection of paintings hung

CRACY

Severed from Reality: The Irrationality of Rationality in Advanced-Stage Capitalismly rational actor as possible. Viewers can relate to innies grieving their loss of agency, their futile search for meaning within alienation, and their desperate need to make sense of their place within a world that operates outside their view. The plight of the innie is the plight of all workers in

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tangle

Mapping the Subject Through , Corporate Architecture and Designity through the repetition of architectural norms and controlled movement through space, using Guattari’s “subjectivation” to understand the relationship between self and architecture. . quiet visual engagement with corporate architecture and design makes visible this process of subjectivation via t