Titlebook: Reimag(in)ing the Victorians in Contemporary Art; Britain and Beyond Isobel Elstob Book 2023 The Editor(s) (if applicable) and The Author(s

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Conclusions: The , in Contemporary Art,ed today. Drawing attention to the rising importance of archives as official repositories of knowledge in the late 1800s, the chapter argues that the approaches to History covered in this study represent a return to unofficial historiographical sources as well as openly subjective means of rendering

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Conclusions: The , in Contemporary Art,temporality, the chapter argues for the importance of facing the historical past with the same clear-sightedness with which we conceive the present. This, the chapter concludes, will allow us to invoke rather than determine the processes, objects, people and narratives that historically forged our collective cultural heritage.

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to contemporary visual artworks.Interviews several artists, From contemporary deployments of taxidermy, magic lanterns and microscopy to the visualization of forgotten lives, marginalized narratives and colonial histories, this book explores how the work of artists including Mat Collishaw, Yinka Sho

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Introduction: Visualizing the Victorians, Victorian visual technologies like magic lanterns, (2) contemporary uses of taxidermy-as-medium, (3) creative interrogations of the histories of science and their consequences and (4) visual explorations of colonial narratives centred on Nigeria and the Caribbean.

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Seeing Is (Not) Believing: Photography, Magic Lanterns and Virtual Realities, them. Arguing Collishaw’s practice to echo the philosophic and illusory potential of magic lanterns, phantasmagoria and stereoscopy, the chapter examines how his work revels in interactions between reality and its representation via forms of hyper-mediation that both emphasize and confiscate the viewer’s autonomy.

Vulvodynia

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Unnatural Histories: Forgotten Objects, Narratives and Lives,storiographic metafiction. Finally, Dorothy Cross’s intertextual remembrance of an obscure Victorian female naturalist in her film . is discussed in relation to the inherently contingent task of memorializing the past through the fragments that remain.

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Book 2023toriography to the work of these artists, it also unravels the complicated history of History itself. This book will speak to diverse audiences including those interested in art history, visual culture, Victorian and neo-Victorian studies, as well as literature, histories of science and media, postc

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ory itself. This book will speak to diverse audiences including those interested in art history, visual culture, Victorian and neo-Victorian studies, as well as literature, histories of science and media, postc978-3-031-28495-3978-3-031-28493-9