Titlebook: Regional Aesthetics; Mapping UK Media Cul Ieuan Franklin,Hugh Chignell,Kristin Skoog Book 2015 The Editor(s) 2015 media.regionalism.everyda

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Living on Location: Amateur Creativity and Negotiating a Sense of Place in Yorkshireket town from their South African tour with a tiger cub that became a household pet and familiar sight on its daily walks. Memories of Fenella sparked various collaborative creative projects, including work by an arts-reminiscence group, Sharing Memories, and a local musician, which culminated in ar

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Arcadia in Absentia: Cinema, the Great Depression and the Problem of Industrial Walesby the Welsh nationalist poet and scholar who was also its curate: Iorwerth C. Peate. Peate saw a rural and pre-industrial artisanal based and monoglot Welsh-speaking culture as the only way to preserve Welsh identity. It is indicative of a fortress nationalism that has deep roots in Wales, a nation

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A Poetics of the North: Visual and Literary Geographiesn Loach, 1977), written by Barry Hines; these are alongside two literary texts, Philip Hensher’s 2008 novel, ., and David Peace’s . of 2004. We argue that a dynamic poetics of the North emerges as both an aesthetic trend and a critical tool when viewed within such cross-medium understandings of regi

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The Sons and Heirs of Something Particular: The Smiths’ Manchester Aesthetic, 1982–198780s and a Left-wing aesthetic found in a range of creative work produced in Manchester in the 1930s and up until the late 1950s. The Smiths brought unique properties to popular music in the wake of the emergence of a regional punk music scene in Manchester from 1976, and represent an ideal case stud

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Topological Londoney as a series of interconnected transfer points rather than a tangle of separately operated railway lines, which it was in actual fact. Beck aimed with his representation to simplify the task of charting one’s route through unfamiliar terrain, and he did this by straightening out paths along horizo

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A Region in Microcosm: Brandon Acton-Bond’s Post-War BBC Radio Featuresntal and socially conscious radio documentaries pioneered during the 1930s and 1940s by producers such as D. G. Bridson and Olive Shapley in the BBC North Region have been documented by both scholars and the producers themselves (Bridson, 1971; Scannell and Cardiff, 1991; Shapley, 1996), but there i