Titlebook: Refugees, Theatre and Crisis; Performing Global Id Alison Jeffers Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited

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Introduction: Stories, Words and Points of View,esome. Troubling because they are hard to hear, especially if the listener enjoys the privileges of the West; troubled because persecution, trauma and suffering are essential elements of these stories, and troublesome because lives depend on their claims for truth. Studying the many theatrical ways

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Systemic

Taking up Space and Making a Noise: Minority Performances of Activism,were suggesting that xenophobia towards asylum seekers is exacerbated by the fact that Australian citizens live in a land that has already been stolen from its indigenous peoples.. In this action Boat People campaigners placed the‘border panic’ around asylum that had been induced by the government,

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Conclusion: Face to Face or Shoulder to Shoulder?,ory and citizenship’ (Stoianova, 2007: 22). None of this has taken place in a calm or measured way and rapid expansion in the scope and severity of government responses to the situation has created a sense of crisis which is in the interests of these governments to instigate and perpetuate, if only

Dorsal

Performance Interventionshttp://image.papertrans.cn/r/image/824996.jpg

共同确定为确

Book 2012Using examples of refugee arts and theatrical activity since the 1990s, this book examines how the ‘refugee crisis‘ has conditioned all arts and cultural activity with refugees in a world where globalization and migration go hand in hand.