Titlebook: Reframing the Perpetrator in Contemporary Comics; On the Importance of Dragoș Manea Book 2022 The Editor(s) (if applicable) and The Author(

敌手

Introduction: Perpetration, Estrangement, and Historical Debt, emerged out of the disciplines of perpetrator studies and memory studies and offer an overview of comics that have depicted the process of perpetration. I end this chapter by briefly discussing the comics I analyze in this book and their own unique—and often estranging—approaches to the figure of the perpetrator.

LATER

姑姑在炫耀

起波澜

,Who are you crying for?: Perpetration and Punishment in Nina Bunjevac’s , (2019),hment for her past transgressions. Deeply allusive and ambiguous, the graphic narrative overtly rejects—even as it invokes—the language of empathy in favor of a puzzle-like approach to representation, which often demands that we interrogate our own affective engagement with narratives of perpetration, victimhood, and complicity.

forecast

,“Unable to protect anyone”: Terrorism, Salvation, and Cultural Intelligibility in Gene Luen Yang’s of nationalism; I consider the strategies the novel employs in order to foster the transcultural transmission of memory, and I argue that . is fundamentally structured by Catholic ontology and ethics, despite its largely progressive critique of nationalism and imperialism.

合适

沉默

CAND

放肆的你

Dragoș Maneaforegrounds the figure of the perpetrator in a selection of British, American, and Canadian comics.explores questions related to remembrance, justice, and historical debt.focuses on works that deliber

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Palgrave Studies in Comics and Graphic Novelshttp://image.papertrans.cn/r/image/824948.jpg