Titlebook: Reformations of the Body; Idolatry, Sacrifice, Jennifer Waldron Book 2013 Jennifer Waldron 2013 John Milton.reformation.theatre.tragedy.Wil

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978-1-349-44029-0Jennifer Waldron 2013

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正式通知

Early Modern Cultural Studies 1500–1700http://image.papertrans.cn/r/image/824835.jpg

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Book 2013This project takes the human body and the bodily senses as joints that articulate new kinds of connections between church and theatre and overturns a longstanding notion about theatrical phenomenology in this period.

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https://doi.org/10.1057/9781137313126John Milton; reformation; theatre; tragedy; William Shakespeare; British and Irish Literature

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Introduction, subplot of a man who “converts” from religion to theater also neatly encapsulates several important problems surrounding Shakespeare’s plays, the institution of the Elizabethan public theaters, and the religious culture of post-Reformation England. At the broadest level, why and how exactly was religion relevant to commercial drama?

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Dead Idols and Lively Images: A Genealogy of Protestant Iconoclasm,etic modes through which these two institutions became aligned?. I focus here on the human body and the bodily senses as joints that articulate new kinds of connections between church and theater (as well as acting as contested sites within both of these domains).

ATRIA

Revenge, Sacrifice, and Post-Reformation Theater: ,,iking effects by entangling the revenger’s personal quest for “justice” and “satisfaction” with his role as an onstage playwright. Yet why should Kyd in the first place have equated the act of taking justice into one’s own hands in bloody, ritualized fashion with the art of writing plays?