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Titlebook: Realist Critiques of Visual Culture; From Hardy to Barnes Edward Barnaby Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Tho

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发表于 2025-3-21 19:54:31 | 显示全部楼层 |阅读模式
书目名称Realist Critiques of Visual Culture
副标题From Hardy to Barnes
编辑Edward Barnaby
视频video
概述Resituates individual authors and particular novels within the realist gestures they originated and explores their resilience to a culture industry that continuously repackages their iconoclasm as ico
图书封面Titlebook: Realist Critiques of Visual Culture; From Hardy to Barnes Edward Barnaby Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Tho
描述.Have industrial-age technologies and visual discourses transformed us into spectators of the real, and can realist fiction make that transformation visible to us?  This book brings Situationist Guy Debord’s .Society of the Spectacle. and an array of cultural criticism into dialogue with novels by Hardy, Forster, Woolf, Rushdie, Carey and Barnes to foreground literary realism’s critique of visual culture, including Gothic architectural revival, neoclassicism, tourism, historical pageantry, postcolonial cinema and photography, museums, preservationism, urbanism and artisanal neo-folk movements.  Barnaby advances the concept of meta-spectacle to distinguish realist fiction that engages ethically with visual discourses from realist-.ic. fiction that reproduces the visible veneer of reality for aesthetic consumption.  He highlights the limitations of artistic critiques of spectacle, considers their resilience toward a culture industry that continuously repackages iconoclasm as iconicity, and reflects upon the process of reorienting the reader to comprehend realist gestures.  By heightening the capacity to recognize our own immersion within objectified representations of the real, .Real
出版日期Book 2018
关键词Thomas Hardy; E; M; Forster; Virginia Woolf; Salman Rushdie; Edward Carey; Julian Barnes; Spectatorship; Vis
版次1
doihttps://doi.org/10.1007/978-3-319-77323-0
isbn_softcover978-3-030-08427-1
isbn_ebook978-3-319-77323-0
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
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发表于 2025-3-21 20:20:50 | 显示全部楼层
Edward Barnabyi?ed due to the occurrence of multiple corporate governance failures which have triggered the introduction or further re?nement of national and inter- tional corporate governance codes. The necessity of regulatory action however rests on the need for a sound understanding of potentially negative e?e
发表于 2025-3-22 03:01:04 | 显示全部楼层
Edward Barnabyi?ed due to the occurrence of multiple corporate governance failures which have triggered the introduction or further re?nement of national and inter- tional corporate governance codes. The necessity of regulatory action however rests on the need for a sound understanding of potentially negative e?e
发表于 2025-3-22 05:22:42 | 显示全部楼层
Edward Barnabyi?ed due to the occurrence of multiple corporate governance failures which have triggered the introduction or further re?nement of national and inter- tional corporate governance codes. The necessity of regulatory action however rests on the need for a sound understanding of potentially negative e?e
发表于 2025-3-22 09:31:43 | 显示全部楼层
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发表于 2025-3-22 18:57:40 | 显示全部楼层
Edward Barnaby participation..Provides the reasons why they have failed toThis book discusses and analyses global policies and practices aimed at promoting equity in higher education participation and attainment. Although the massification of higher education systems has facilitated the participation of students
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发表于 2025-3-23 03:16:58 | 显示全部楼层
,“Pressed against the screen”—Cinema and Photography as Spectacle in Salman Rushdie’s ,,tify it as magical realism, Barnaby discerns Rushdie’s realist impulse to explore the psychology of an individual who is caught between the competing iconographies of a collapsing colonial ideology and the equally surreal nationalist fiction that supplanted it.
发表于 2025-3-23 07:42:46 | 显示全部楼层
,“The law of white gloves”—The Museum as Spectacle in Edward Carey’s ,,amin’s account of the . provide the context for Barnaby’s analysis. Barnaby contends that instead of inscribing the reader in a spectatorial stance, Carey critiques and rehabilitates the trope of the . within the novel’s realist consciousness of spectacle.
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