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Titlebook: Real Photo Postcards; Unbelievable Images Laetitia Wolff Book 2005Latest edition Princeton Architectural Press 2005 20th century.Postcards

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发表于 2025-3-21 16:12:11 | 显示全部楼层 |阅读模式
书目名称Real Photo Postcards
副标题Unbelievable Images
编辑Laetitia Wolff
视频video
图书封面Titlebook: Real Photo Postcards; Unbelievable Images  Laetitia Wolff Book 2005Latest edition Princeton Architectural Press 2005 20th century.Postcards
描述.It may be hard to believe, but there actually was a time when the postcard image was not a cliché. To reach it, you‘ll have to set your clock back to the end of the nineteenth century, when an Act of Congress allowed Americans to mail a card for just one cent. A few years later, Kodak introduced an easy-to-use and affordable folding camera that put postcard power into the hands of ordinary citizens, setting off a craze. .Real Photo Postcards. is a collection of the most outlandish and idiosyncratic, beautiful and even occasionally bizarre images of this early postcard period..Painstakingly assembled from the collection of Harvey Tulcensky, one of the world‘s most avid collectors of these original postcards, .Real Photo Postcards. includes images of natural phenomena (floods, storms, fires), Main Street America, rural life, political parades, and wacky "exaggeration" cards (such as a photographically manipulated giant rabbit!). Together these cards show an oddlypersonal and intimate perspective of America at the turn of the 20th century..
出版日期Book 2005Latest edition
关键词20th century; Postcards; photography; time
版次1
doihttps://doi.org/10.1007/1-56898-665-3
copyrightPrinceton Architectural Press 2005
The information of publication is updating

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Interview with Harvey Tulcensky,004 in a show entitled “Postmarked” at K.S. Art. The cards are mostly black and white and sepia toned with some cyanotypes, tinted and hand-colored postcards. They are all actual (“real”) photographic silver prints developed in the darkroom, mostly in one-offs or limited editions.
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ted zones, follows progressive changes in water quality towards areas of discharge. These processes are time-dependent and the chemical changes as well as isotopic variations may be used to identify this evolution and provide information on water flow paths.
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of events triggered by UV-B exposure. To be more specific, cutaneous vitamin D synthesis requires radiation at wavelengths less than 315 nm, the same wavelengths which are most detrimental in other aspects. However, vitamin D synthesis occurs at doses far below those of a minimal erythemal dose (MED
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