Titlebook: Readings in Numanities; Oana Andreica,Alin Olteanu Book 2018 Springer International Publishing AG 2018 Art Consumption.Musical Meaning.Nat

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Colonnade

Dreams and Narratives: From Psychoanalysis to Contemporary Imaginariesglish 2016) or “. of thoughts, images, and sensations occurring in a person’s mind during sleep” (Oxford Dictionary 2015 [emphasis added]). Such successions have a specific semiotic capacity, which means that they are charged with particular meanings, therefore inevitably requiring—or at least inten

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The Use of Semiotics in Content Analysis: The Case of Belarusian Patriotic Advertisingving become an independent state, Belarus had to assert itself both as a new player in the international political arena and as a homeland for people with a unique national identity. Through the period of President Lukashenko’s rule, several public campaigns have been introduced aimed at construing

dominant

idiopathic

Lithuanian Viewers’ Attitude Towards Dubbed Animated Filmseatures in Lithuania shows that this mode of audiovisual translation is of no less importance than the system of voice-over, which still prevails for films with live actors, or subtitling. As the Internet Movie Database (IMDb) indicates, animated films have considerable box office success, as in 200

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Eating Diversity, Creating Identity: Translations of the Culinary Code Between Creativity and Misundntegration and crossing, enhancing the interchange and interdependence of world views, products, economic activities, ideas, and other aspects of culture (Albrow and King in Globalization, Knowledge and Society. Sage, London, .; Al-Rodhan and Stoudmann in Definitions of Globalization: A Comprehensiv

Glycogen

A Semiotic Analysis of the Songs , and , in Francisco de Salina’s , The Construction and Deconstructhat he affirms to be “extremely popular” in his time, and whose lyrics he transcribes as .. (that can accept as a possible translation from the Arabic “the heart of my heart is the heart of a Moor”). An interesting feature of that song is that Salinas presents it in two versions: the previous one an

BRIDE

Meaning, Identity Constructions and Deconstructions in the Song/Poem “Swift Bird”, by the Andalusianughout almost a thousand years—consist on a fierce satiric poem that Wallada bint al-Mustakfi (1001–1091) dedicates to her former lover, the poet Ibn Zaydun (1003–1071), both from Córdoba, the capital of the medieval Muslim Caliphate in Spain. Her implacable criticism of Zaydun’s personality in this

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