Titlebook: Reading ‘Bollywood‘; The Young Audience a Shakuntala Banaji Book 2006 Palgrave Macmillan, a division of Macmillan Publishers Limited 2006 b

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Shakuntala Banajiived at an exact definition of Turing-computability (§ 6). The direct connection with intuition, which is gained by this method, is without doubt a great advantage in realizing the meaning of the precise concepts obtained. On the other hand, the concept of Turing-computability, just as it stands, is

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Hindi Films: Theoretical Debates and Textual Studies,commercial Hindi films, both during the analyses of film texts and during the interpretation of audience self-representations and emotions, I will of necessity be drawing upon some of the theories and ideas implicit in existing accounts of Hindi film texts. Thus, in this chapter, I delineate some st

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Audiences and Hindi films: Contemporary Studies, to which children, youth and their parents, or members of different religious or national groups, share the same understandings of media texts can only be gauged via research into audience perceptions of specific texts within a given, and bounded, social context. Although notions of diaspora and hy

Texture

Contemporary Hindi Film-Going and the Viewing Context in Two Countries,o there. Take, for instance, these statements by middle-aged middle-class men and women I spoke to in Bombay.: ‘Lower-class men whistle at the screen when a heroine walks on, they cause all the disturbance, education will change that’; ‘College students go to the cinema to watch rubbish — they have

ambivalence

,‘A man who smokes should never marry a village girl’: Comments on Courtship and Marriage ‘Hindi Filound which this book is shaped but also via an analysis of both specific film sequences and critical commentaries on these films. This chapter is devoted to a case study of two of the movies which were discussed most fiercely by young interviewees in relation to romance and marriage — . (., hencefor