Titlebook: Reading Slaughter; Abattoir Fictions, S Sune Borkfelt Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license to

Simulate

Who Slaughters and Who Consumes? On Butcher(ing) Identities,gh those who work there. Colmore’s work, moreover, foregrounds clear gender divisions in slaughter work, which other texts sometimes allude to more briefly. Likewise, while the slaughterhouse seems at first absent in Ruth Ozeki’s . (1998), it nonetheless becomes an important part of how that novel e

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2634-6338 rural spaces, human identities and horror fiction, Sune Borkfelt contributes to debates in literary animal studies, human-animal studies and beyond..978-3-030-98917-0978-3-030-98915-6Series ISSN 2634-6338 Series E-ISSN 2634-6346

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Sune Borkfeltnder Schulen. Der Test kann zur effektiven Gestaltung von Maßnahmen der Entrepreneurship Education beitragen, um die weitreichenden Potenziale des Entrepreneurs978-3-658-41590-7978-3-658-41591-4Series ISSN 2627-2547 Series E-ISSN 2627-2555

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Sune Borkfeltid Prototy ping“ ist die Zielsetzung des von der DFG geförderten Sonderforschungs bereichs 374, dessen Ergebnisse in diesem Band beschrieben werden.978-3-540-69880-7Series ISSN 2512-5281 Series E-ISSN 2512-529X

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ESO

Anthropomorphism and the Abattoir,gee’s short story ‘A Mother’s Tale’ (1952) and Neil Astley’s postmodern eco-fable . (2002), and their slaughterhouse depictions specifically, the chapter argues for what rich literary uses of anthropomorphism can do for nonhuman animals.

Visual-Field

Introduction: Fleshing Out Invisibilities,r and the animals slaughtered within. Relying on a broad selection of theorists to cover physical concealment as well as psychological avoidance of abattoirs, the chapter eventually turns to Michel Foucault’s concept of the heterotopia. The slaughterhouse as a heterotopia creates the illusion that t

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Literary Narratives and the Empathics of Slaughter,addressing what it argues is a near-general omission of nonhuman animals, and an implicit anthropocentrism, in discussions on narrative empathy. Much work on empathy and literature understandably focuses on characters, but does so through assumptions that these are human and therefore often consider

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