Titlebook: Reading Skin in Medieval Literature and Culture; Katie L. Walter Book 2013 Katie L. Walter 2013 Skin.material culture.medieval literature.

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凹槽

Desire and Defacement In ,, dissolving [the body’s] wholeness” [corrumpens figuram et formam et compositionem membrorum et finaliter solvens continuitatem].. The Montpellier physician’s influential definition illustrates how the language . consistently inflects medieval discussions of leprosy. Guy de Chauliac, surgeon and phy

步兵

Touching Back: Responding to ,,n; and I resist the models of surface and depth promoted by metaphors of, for example, the “mystic writing pad.”. I do this not because I believe that nothing worth noting lies beneath the surface but rather to promote a materialist attentiveness to the . of skin, the covering that defines our borde

冰河期

enhance

热情的我

一再烦扰

Touching Back: Responding to ,,rs and, as I will argue, the borders of anything that can be said to have any particular existence. I will argue that there is no way to get past the skin, no way to avoid touch, and no way, finally, for us to make any lasting claim to ownership of what we tend to think of as so intimately ours.

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舔食

Cutaneous Time in the Late Medieval Literary Imagination,ted for time in a more thorough way. Skin and time were thought to share the same mechanical properties: both could stretch, fold, and tear. Skin gave writers material ways to think about deferment (stretching), anachronism, and replication (both folding), and event (tearing).

Anemia