Titlebook: Reading Breath in Literature; Arthur Rose,Stefanie Heine,Peter Garratt Book‘‘‘‘‘‘‘‘ 2019 The Editor(s) (if applicable) and The Author(s),

使纠缠

Wasting Breath in , pain and disrupt meaning on the page and on stage. In the light of New Materialist theory, the air circulating in . is shown to dismantle narratives of representation, posing new questions for the future of medical humanities.

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Hyaluronic-Acid

,The Play of Breath: Chaucer’s Narratives of Feeling,ies, rooted in classical thought, to portray the ways that motions of the vital spirit—closely connected with breath—create powerful physical responses, which at their most extreme cause sighs and swoons. According to this pre-Cartesian world view, mind, body and affect are intimately connected. The

impaction

Wasting Breath in ,l as in the context of current work in the field of medical humanities. Tracing the medical history of sighing in ancient and early modern treatises of the passions, the chapter argues that sighs, in the text and the performance of the tragedy, exceed their conventional interpretation as symptoms of

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Ebb and Flow: Breath-Writing from Ancient Rhetoric to Jack Kerouac and Allen Ginsberg,erature. Such a poetics of breathing turns out to be a revival of classical thought. For ancient rhetoricians, especially Aristotle, Cicero and Quintilian, the breath-pause is constitutive for structuring speech. Already in the ancient approaches, a dilemma emerges: breathing is supposed to cut spee

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Junction

Arthur Rose,Stefanie Heine,Peter GarrattBreath has, to date, received little attention as a literary device; an oversight that this book rectifies.The transhistorical nature of this study is unique and allows for a more developed notion of