Titlebook: Re-imagining Western European Geography in English Renaissance Drama; Monica Matei-Chesnoiu Book 2012 Palgrave Macmillan, a division of Ma

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978-1-349-34950-0Palgrave Macmillan, a division of Macmillan Publishers Limited 2012

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Re-imagining Western European Geography in English Renaissance Drama978-1-137-02933-1Series ISSN 2634-5919 Series E-ISSN 2634-5927

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Introduction: Dramatic Geographies of the Self,s seen both. In Dalavill’s opinion, a ‘compleat Gentleman’. is one who has attained knowledge through travel, not one who could calculate the distance from one place to another according to the scale of the map and ‘recite’ the monuments of every city. As Géraldine speaks at length of the voyage he

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Geography as the Eye of History,a. How have geography, maps, and mapping served to order and represent physical, social, and imaginative worlds? How has the practice of geographic description and mapping shaped early modern seeing and knowing? In what ways did early modern contemporary changes in people’s experience of the world a

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Romanticized France in the English Imagination,stinations for travellers that cultural and national stereotypes had become fixed and there seemed to be little novelty attainable from reporting about them. Analysing the paradoxes and other related contradictions that defined English travellers’ reports about (Western) Europe in the period 1545–16

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Titlebook: Re-imagining Western European Geography in English Renaissance Drama; Monica Matei-Chesnoiu Book 2012 Palgrave Macmillan, a division of Ma

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