Titlebook: Re-centering Cultural Performance and Orange Economy in Post-colonial Africa; Policy, Soft Power, Taiwo Afolabi,Olusola Ogunnubi,Shadrach

心胸开阔

Emmanuel Chimact matter. On the one hand, it is argued that by studying their subjects in English, students can improve their English vocabulary and communicative fluency and can, at the same time, become more competitive in the global marketplace. On the other hand, concerns are expressed that when they are requ

HOWL

Cynthia Schneiderriting for scholarly publication in English. Framed within the concept of intercultural competence, the chapter draws on relevant autoethnographic and empirical data to foreground the intercultural issues and complexities in navigating interactions inherent to the process of writing for scholarly pu

headlong

范围广

gimmick

l diplomacy in AfricaThis book explores the role of national theatres, national cultural centres, cultural policy, festivals, and the film industry as creative and cultural performances hubs for exercising soft power and cultural diplomacy. It shows how can existing cultural and non-cultural infrast

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Tunisia’s Musical Policy: Draft Law, Birth, and Developmentoughout the post-independence period, established as of 1956. This policy aimed to insert Tunisian cultural identity within its regional scope, the African, the Maghreb, the Mediterranean, and the Arab. The political reforms pursued by Tunisia’s post-independence governments, regarding the cultural

ATOPY

Community Museums for National Integration in Nigeria, 1960–2020Africa with more than 500 major and minor ethnic groups. Community museums are a key tool in promoting national integration. While the different cultural beliefs in Nigeria could be expected to promote this cause, the reverse is the case due to the failure to understand the role of culture through s

Anticlimax

Film and Cultural Diplomacy in Postcolonial Africa: Nollywood and the Nigeria Cultural Policyislated instrument to promote national identity as well as cooperation among different entities in national or global cultures, through literary, visual and the non-visual arts. A cultural policy guides the execution of every cultural enterprise within a country, its relationship with other countrie

自负的人

Pan-Africanism and Cultural Policy Management: A Formative Evaluation of Nigeria and Ghana’s Cultura policies. Pan-Africanism’s Cultural Manifesto includes recommendations for the management and defense of African culture. Nigeria and Ghana were active participants in the Pan-African movement, and it is, therefore, expected that their cultural policies will reflect its objectives. The chapter also