Titlebook: Re-Reading Mary Wroth; Katherine R. Larson,Naomi J. Miller,Andrew Strycha Book 2015 Katherine R. Larson and Naomi J. Miller with Andrew St

雪上轻舟飞过

ented English curriculum at micro classroom levels at vocational senior secondary schools in terms of teachers’ English teaching. The research indicates that deficiencies exist in teachers’ classroom-based curriculum implementation and that a priority of needs should be established.

生气地

Georgianna Zieglere of linguistic features (i.e., grammar) in realizing the texts is lacking or distorted. The chapter presents a case for a more thorough understanding of genre to inform the teaching of English in Hong Kong and elsewhere and suggests ways of working towards this ideal.

enlist

悬挂

Authorship and Author-Characters in Sidney and Wroth95), the unpublished ., the unfinished . (1590), and the often published combined version (1593 and after).. One notable case of Wroth’s imitation of Philip Sidney invites particular attention. Both authors reveal something of their conception of the authorial role through fictional representations

seruting

“Can you suspect a change in me?”: Poems by Mary Wroth and William Herbert, Third Earl of Pembrokemphilia from the father-in-law of Sirelius,” and Pembroke engaged with Benjamin Rudyerd in an extended verse-debate on whether Love or Reason has, or should have, greater authority.. For all of these reasons, it makes sense to read their poems together, with an alertness to what they hold in common.

流浪者

Love’s Victory and her hopes for her sister’s union informed the play, shaping its contentions about the alterations to convention necessary for women to engage more successfully in the marriage market. Why might Wroth have written this particular play for Barbara? What was she hoping to convey to her about the i

Meditative

浮雕宝石

Uraniathorship run amuck, Wroth posits “measure” as an alternative and successful model of authorship supported, integrated, and framed within .. I argue that Wroth redefines “measure” as more than an indicator of meter, as it was used in literary debates of the period; instead, she uses “measure” as a ma

Bombast

Voicing Lyric: The Songs of Mary Wrothtant writings. The games played by the shepherds and shepherdesses in . include a lively singing competition. Song constitutes a crucial narrative practice for Wroth’s protagonists as they struggle to articulate their passions within . gardens and chambers. Songs are also interspersed throughout the

Pericarditis

Love’s Victorye musical and dance production allows attention to its strengths, its artifice and ornament, its manipulation of rhythm and meter, its composed fusion of sources and genres. In particular, the dance performance practices embedded in this pastoral tragicomedy, manifested in its groupings of character