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Titlebook: Rate-Quality Optimized Video Coding; Yoo-Sok Saw Book 1999 Springer Science+Business Media New York 1999 MPEG.Standard.Standards.algorithm

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Yoo-Sok SawPuberty. is a timely contribution that will help navigate a path toward understanding the problem and developing solutions.  .978-1-62703-922-2978-1-60761-561-3Series ISSN 2523-3785 Series E-ISSN 2523-3793
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Puberty. is a timely contribution that will help navigate a path toward understanding the problem and developing solutions.  .978-1-62703-922-2978-1-60761-561-3Series ISSN 2523-3785 Series E-ISSN 2523-3793
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0893-3405 ality, which has been a relatively neglected topic ineither side of image/video coding and tele-traffic management. Videorate management becomes a technically challenging task since it isrequired to maintain a certain video quality regardless of theavailability of transmission or storage media. This
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Rate-Quality Control in International Standardsve different data rates depending on the required quality and the mode of access: storage or transmission. Real-time digital video contains moving images which need several tens of Mbits/s or more capacity CCIR, 1982 since it has to be displayed at a specific frame rate. Thus, the need for real-time compression is inevitable for moving images.
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Non-Stationary Nature of Digital Video1.1 exemplifies this nature. “Susie” sequence shown in the upper half shows very small inter-picture variation. On the other hand, “Football” sequence shows very large picture-to-picture motion. Here, the inter-picture interval d is set to a large value, e.g. 10 or 20 picture frames, to demonstrate inter-picture variation.
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Fuzzy Logic-Based Video Rate Estimation and Controlal fuzzy logic control algorithms were applied to the CBR MPEG-2 video coding. Furthermore, adaptive and supervisory fuzzy logic control schemes have also been applied and their performance has been evaluated.
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Advanced Topicsmental ways. In this chapter, the main conclusions are highlighted. Advantages and limitations of the techniques are also discussed and contrasted. Finally, future directions of the work are discussed.
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