Titlebook: Radio Fun and the BBC Variety Department, 1922—67; Comedy and Popular M Martin Dibbs Book 2019 The Editor(s) (if applicable) and The Author

debris

for auto-classification of radar targets in homogeneous and non-homogeneous environment using a hybrid approach. It utilizes the advantages of convolutional neural network (CNN) and long short-term memory (LSTM) eliminating manual feature extraction and enhancing classification accuracy for reduced

Invigorate

,1933–1939: The Show Begins,e BBC’s growing obsession with censorship and the avoidance of offence. He examines how evidence of listeners’ tastes and preferences became significant for the BBC and led to the establishment of its Listener Research Section.

aspect

,1945–1955: A Golden Age for Radio Comedy,a determination to maintain standards of propriety in programmes. He investigates the development and success of the radio comedy series, just as radio was about to be replaced by television as the leading domestic entertainer.

夜晚

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Introduction,rch methodology used and the emphasis on primary source material from the BBC’s Written Archive Centre and a small oral history project in which former BBC Variety Department staff were interviewed. By using original voices in this material, he brings to life a sense of working at the Variety Depart

改革运动

,1922–1933: Variety Before ,ion and the entertainment industry. It investigates the provision of radio light entertainment prior to the establishment of the Variety Department and looks at early programme policy. Dibbs explores how Reith’s attitudes and beliefs dominated variety entertainment on the BBC and examines how the or

填满

,1933–1939: The Show Begins, itself and developed its own approach to popular entertainment. Dibbs recounts how, with an increasing number of talented production staff, the Department grew quickly in size and output as more was expected of it. He investigates how the Department set about developing new programme ideas includin

Affable

,1939–1945: We Will Be Working Under Difficulties,ten imposed quite arbitrarily by the BBC and Ministry of Information and the problems of disruption to the day-to-day operation of Variety caused by its evacuation to Bristol and later, North Wales. He explores how, despite this, Variety made a substantial contribution to raising morale for those at

剧毒

,1945–1955: A Golden Age for Radio Comedy,the audience a greater choice of listening while at the same time introducing it to ‘culturally beneficial’ programming. He demonstrates that Variety’s pre-war problems of jazz, crooning and Sunday broadcasting, which had troubled senior management, had largely disappeared or had been quietly resolv

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