Titlebook: Queering Polishness in Polish Theatre Since 2005; Dissenting Bodies Jonas Vanderschueren Book 2024 The Editor(s) (if applicable) and The Au

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pt of Polish normativity, which is applicable beyond the con.Theatre has long been an art form at the centre of public life in Poland. Whether it is the self-professed poet-prophets of the Romantic era, or the dissident theatre makers working under the strictures of state socialism, the art form has

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Introduction,tion of recent conflicts and attempts at censorship (e.g. . in 2014, . in 2017, . in 2021). This is followed by an introduction to the state of the art of contemporary Polish Theatre Studies, referencing the most important recent works in the English and Polish languages. The introduction concludes

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Exploring the Field, Reshaping the Field: On the Theatre Field in Poland, Precarity, and Protest,ting points, this chapter tries to comprehensively establish the structure of the Polish theatre field as it has existed and developed since 2005. Adapting Pierre Bourdieu’s field theory to the theatre field, it makes a distinction between public, commercial, and independent theatres, with most of t

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Reorienting the Nation: On Polish National Identity, Weak Messianism, and Queer Failure,velopment of Polish national identity, with particular attention to the impact and influence of the Polish Romantic tradition and its associated Messianism and martyrdom cult. These cultural phenomena would come to dominate discourses on Polishness in the twentieth century, both under the Second Pol

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