Titlebook: Queer Performance and Contemporary Ireland; Dissent and Disorien Fintan Walsh Book 2016 The Editor(s) (if applicable) and The Author(s) 201

显示全部楼层 · 发表于 2025-3-21 17:12:09

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书目名称Queer Performance and Contemporary Ireland被引频次学科排名

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Afterword: Reeling-Feeling,me has to offer. Illuminating the gaps between remembered history, lived experience and social expectation is perhaps the most important queer gesture that these works collectively perform, all the while straining towards worlds not yet realised — maybe even unrealisable.

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Reparative Therapies and Political Performers,st Richard O’Leary, it is ‘both one of the most religious and the most homophobic countries in Western Europe.’. These embedded prejudices were dramatically thrown into relief in 2008 when Iris Robinson – then Democratic Unionist Party (DUP) Member of Parliament (MP), and Member of Legislative Assem

显示全部楼层 · 发表于 2025-3-22 16:50:31

Transforming Shame and Testimonial Performance,gely seen as something to be culturally disciplined and repressed, with no real purpose outside of the reproductive ambitions of a heterosexual marriage. In the 1990s and 2000s, the devastating impact of this policing was steadily exposed, by seemingly endless revelations of the sexual, physical and

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Vertiginous Loss, Love and Belonging on the National Stage,rmance culture had finally found a home in the national theatre. Since its founding by Jennifer Jennings and Phillip McMahon in Dublin in 2007, THISISPOPBABY has gained a reputation for creating projects dedicated to both recuperating and evolving queer performance in Ireland, but always brightening

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Titlebook: Queer Performance and Contemporary Ireland; Dissent and Disorien Fintan Walsh Book 2016 The Editor(s) (if applicable) and The Author(s) 201

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