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Titlebook: Queer Italia: Same-Sex Desire in Italian Literature and Film; Gary P. Cestaro Book 2004 Gary P. Cestaro 2004 essay.film.gender.history.Int

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Knots of Desire: Female Homoeroticism in , 25,g from a head wound for the treatment of which her hair was shorn, Bradamante stops to rest along the bank of a stream, where she is spotted by the beautiful Fiordispina, out with a hunting party. Fiordispina takes Bradamante for a man and immediately falls in love with her. When Bradamante wakes up
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ACTing UP in the Renaissance:The Case of Benvenuto Cellini, partaking of“ the darker lusts which deformed Florentine society in that epoch.” In a footnote, he clarified these darker lusts as that “unnatural vice”—commonly understood to signify sodomy—something so unpleasant that Symonds himself could not even name it. Elaborating further, Symonds claimed th
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Beauty and the Beast: Lesbians in Literature and Sexual Science from the Nineteenth to the Twentiet of sexologists and in studies on masculinity and femininity (considered natural categories). What influence did this discourse have on the portrayal of lesbians in novels of the period? To be sure, the presence of lesbian characters is rather scant, but what is there holds some surprises and offers
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,Desire and Disavowal in Liliana Cavani’s “German Trilogy”,an.”. Focusing on the contractual structure of the sado-masochist scenarios in Cavani’s work as a potential model for lesbian eroticism, this is the only essay in a substantial critical bibliography that makes an overt allusion to her sexuality. It is hardly surprising that Nadeau fails to cite any
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Reluctantly Queer: In Search of the Homoerotic Novel in Twentieth-Century Italian Fiction,arlus’ encounter with Jupien, his distant and critical look begins to construct, before the reader’s very eyes, one of the first fully developed gay characters in Western literature. In 1921 when Proust’s novel was first published, homoeroticism was not a new narrative subject. Indeed, it had been a
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