Titlebook: Parents and Children in the Mid-Victorian Novel; Traumatic Encounters Madeleine Wood Book 2020 The Editor(s) (if applicable) and The Author

恩惠

NAIVE

,—Mourning and Elegy: , and ,d ‘.: Elegy, Memory and Desire’. As Wood shows, Gaskell and Eliot construct ethics in relation to mourning; however, the novels suggest that mourning cannot take place within the enclosed domestic scene, requiring movement out into new social and communal spaces. In ., the apparent gulf between work

AXIS

bourgeois

Book 2020e Bronte, Collins, Gaskell and Elliot. Madeleine Wood argues that the mid-Victorian novels present their protagonists in a state of damage, provoked and defined by the conditions of the mid-century family: the cross-generational relationship is presented as formative and traumatising.  By presenting

新陈代谢

,—Childhood Passions and Pathologies: , and ,e limits of Cathy and Heathcliff’s story, presenting the violent aftermath of a primal scene which remains intangible. . is founded on primal parental failure: Robert Moore’s family debt; Caroline’s debauched father and absent mother, with Shirley’s seemingly protected orphanhood juxtaposed against this.

inhumane

Conclusion, of the bourgeois home. Wood concludes that the mid-Victorian novelists and Freud were equally concerned with the problem of how to plot a life, and the working-through of loss underpins both the mid-Victorian novel and Freudian psychoanalysis.

名字的误用

FLASK

overreach

A Crisis in Relations: Psychic Wounds, Fantasy, and the Construction of Family,e. The chapter is organised into three sections: ‘Freud, Trauma and Primal Phantasy’, ‘Laplanche and the ‘Compromised Message’ and ‘Mourning and Working-Through’, the chapter concluding by considering the possibility of healing, and the ethical dimensions of recovery.

AXIOM