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Titlebook: Owen the Poet; Dominic Hibberd Book 1986 Dominic Hibberd 1986 poem.poet.poetry.Wordsworth

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发表于 2025-3-21 18:23:05 | 显示全部楼层 |阅读模式
书目名称Owen the Poet
编辑Dominic Hibberd
视频video
丛书名称Studies in 20th Century Literature
图书封面Titlebook: Owen the Poet;  Dominic Hibberd Book 1986 Dominic Hibberd 1986 poem.poet.poetry.Wordsworth
描述Wilfred Owen‘s poetry is now very widely known as the finest that came out of the First World War. But much about the poet and his work has not been fully understood. This book, based on unrivalled research, is the first to study of Owen‘s complete poetic achievement, revealing the uniqueness, strangeness and unity of what he called his ‘poethood‘. His war poems are shown to be a consistent development from his prewar verse and his unswerving allegiance to Romanticism; they grew out of a pattern of mythologised secret experience that took shape in some of his least-known manuscripts before he knew anything of the trenches.Owen lived for poetry; many unfamiliar aspects of that life are brought into focus, including his early discovery of Georgianism, his battle wirh Revivalist religion, his debt to the French Decadence, his alleged cowardice, the torment of his shellshock and the remarkable ‘sociological‘ treatment he received for it, his sexual nature and his friendship with Oscar Wilde‘s beleaguered disciples in 1918, and his supreme courage in making poetry out of inner horrors deliberately ‘recollected in tranquility‘. Learning from Wordsworth and Shelley, Aesthetes and Decadent
出版日期Book 1986
关键词poem; poet; poetry; Wordsworth
版次1
doihttps://doi.org/10.1007/978-1-349-07698-7
isbn_softcover978-1-349-07700-7
isbn_ebook978-1-349-07698-7Series ISSN 2947-2520 Series E-ISSN 2947-2539
issn_series 2947-2520
copyrightDominic Hibberd 1986
The information of publication is updating

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发表于 2025-3-21 20:43:23 | 显示全部楼层
Book 1986ully understood. This book, based on unrivalled research, is the first to study of Owen‘s complete poetic achievement, revealing the uniqueness, strangeness and unity of what he called his ‘poethood‘. His war poems are shown to be a consistent development from his prewar verse and his unswerving all
发表于 2025-3-22 03:09:42 | 显示全部楼层
2947-2520 not been fully understood. This book, based on unrivalled research, is the first to study of Owen‘s complete poetic achievement, revealing the uniqueness, strangeness and unity of what he called his ‘poethood‘. His war poems are shown to be a consistent development from his prewar verse and his unsw
发表于 2025-3-22 04:49:31 | 显示全部楼层
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发表于 2025-3-22 16:14:41 | 显示全部楼层
The First Crisis: Religion,s that were to be developed in later poems. The commitment to literature which he had expressed in ‘To Poesy’ was now put to a strenuous test as it came into conflict with the demands of Evangelical orthodoxy, but by 1913 he had found his freedom to ‘be a meteor, fast, eccentric, lone, lawless …’.
发表于 2025-3-22 17:27:11 | 显示全部楼层
发表于 2025-3-22 22:00:52 | 显示全部楼层
Aesthete in France,wer poems and letters survive from 1913–15 than from any other period of his adult life); unlike most British poets of his generation, he encountered late Romanticism in France rather than at home. Whereas much of the early verse of Sassoon or Rupert Brooke is modelled on Swinburne, Wilde and the po
发表于 2025-3-23 03:55:47 | 显示全部楼层
Preparing for War,e reported at length in the newspapers while he was at Dunsden. A bishop said at Keswick in 1912 that the ‘growth of armaments still remains a standing threat to our peace and that of the world’.. In art and philosophy, as in many of the political groupings of both right and left, there had been a h
发表于 2025-3-23 09:10:04 | 显示全部楼层
The Second Crisis: Shellshock, Beaumont Hamel, he found himself obliged to hold a flooded dug-out in No Man’s Land where he endured the events described in ‘The Sentry’; as his futile match burned out in the darkness, leaving him with the mental picture of his sentry’s ‘huge-bulged’ eyes, his training as an officer and as a poet
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