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Titlebook: Outrage: Art, Controversy, and Society; Richard Howells,Andreea Deciu Ritivoi,Judith Schac Book 2012 Palgrave Macmillan, a division of Mac

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Introduction of aesthetics. Crucially, the authors of this book pay special attention to the way in which these controversies move beyond the world of art and into the public sphere, often returning to reshape the art world itself. We investigate how and why this happens, with particular emphasis on the social
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Recruiting and Nominating Participants for the Brooklyn Museum Controversy: The Contributions of New exhibit itself, in September 1999.. By approaching a case in this way, I enter into a dilemma faced by the researcher of any presumably complex social, historical, and discursive conflict: Who counts as a participant? This is a thorny problem. So many parties might legitimately claim participant st
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The Nation’s Cathedral: Public Art and Competing Memories in Post-Communist Romaniastern Europe was a powerful declaration of the end of the Cold War. Collapse, destruction, leveling—these are common tropes for expressing the challenges facing transitional societies, in which breaking with the past and entering a new era coexist in a tense and ambiguous interrelation. But the freq
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Citizenship and Public Art: Chicago’s Millennium Parkr and its crowning glory, the newly built Eiffel Tower.. Burnham also hoped to overcome the taunts of New Yorkers and other easterners that the City of the Big Shoulders could “produce only a country fair.”. To meet these challenges, he hired America’s best architects. He assigned them the task of c
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