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Titlebook: Othello; Martin L. Wine Textbook 1984Latest edition Martin L. Wine 1984

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发表于 2025-3-21 17:18:35 | 显示全部楼层 |阅读模式
书目名称Othello
编辑Martin L. Wine
视频video
丛书名称Text and Performance
图书封面Titlebook: Othello;  Martin L. Wine Textbook 1984Latest edition Martin L. Wine 1984
出版日期Textbook 1984Latest edition
版次1
doihttps://doi.org/10.1007/978-1-349-06475-5
copyrightMartin L. Wine 1984
The information of publication is updating

书目名称Othello影响因子(影响力)




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书目名称Othello读者反馈




书目名称Othello读者反馈学科排名




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Desdemonae Othello-Iago rather than on the more significant Othello-Desdemona relationship, which is, after all, at the heart of the tragedy. Othello assumes at first that with ‘proof of Desdemona’s infidelity, ‘there is no more but this: / Away at once with love or jealousy!’ [. iii 189–90].
发表于 2025-3-22 07:35:40 | 显示全部楼层
EpilogueThe . most widely seen, ever, was not a stage performance but Jonathan Miller’s production for .-television, which was first shown in October 1981. Anthony Hopkins played Othello; Bob Hoskins, Iago; and Penelope Wilton, Desdemona.
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Varieties of Theatrical Interpretation, 1943–82erformance an articulation of its emotional line that is at every moment convincing to an audience if it is to believe in the onrush of Othello’s jealousy and to be moved by his terrible misjudgement. The great speeches must come through as passion felt, not as an actor’s calculated response to the
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