Titlebook: Oscar Wilde and Contemporary Irish Drama; Learning to be Oscar Graham Price Book 2018 The Editor(s) (if applicable) and The Author(s) 2018

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Brian Friel: The Liar as Artist,nce of Wilde to Friel’s entire career shall be contended. Rewriting history, art overcoming life, and the power of lying are all Wildean preoccupations that Brian Friel adapts into a canvass upon which ethical art can be created in the contemporary moment in Ireland.

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,Tom Murphy: ‘We Are All in the Gutter but Some of Us Are Looking at the Stars’,ing of national and individual stereotypes as exist between the Irish and English and men and women. . emerges as the most explicitly Wildean of Murphy’s plays because of the foregrounding of an Irish and an English character, neither of whom conform to type, and because of its probing of the relati

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Thomas Kilroy: Biography but with the Facts Changed,te drama in which life and art are fused and identity and subjectivity are revealed as forms of performance art. Kilroy’s use of historical characters for the purposes of fictional theatre reveals him as a Wildean dramatist who rewrites history because he believes that is the only duty he owes to hi

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978-3-030-40495-6The Editor(s) (if applicable) and The Author(s) 2018

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https://doi.org/10.1007/978-3-319-93345-0Influence; Aesthetic; Allusion; Intertextuality; Verbal theatre; British and Irish Literature

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,Frank McGuinness: ‘To Hell with the Truth So Long as It Rhymes’,Frank McGuinness’s debt to Oscar Wilde is well acknowledged by McGuinness, and this chapter considers how McGuinness’s plays stage modern versions of Wildean dandies who are martyrs to performance art and who use the power of style to transform the miserable and banal worlds in which they inhabit.