Titlebook: Operatic China; Staging Chinese Iden Daphne Pi-Wei Lei Book 20061st edition Palgrave Macmillan, a division of Nature America Inc. 2006 Amer

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书目名称Operatic China影响因子(影响力)




书目名称Operatic China影响因子(影响力)学科排名




书目名称Operatic China网络公开度




书目名称Operatic China网络公开度学科排名




书目名称Operatic China被引频次




书目名称Operatic China被引频次学科排名




书目名称Operatic China年度引用




书目名称Operatic China年度引用学科排名




书目名称Operatic China读者反馈




书目名称Operatic China读者反馈学科排名

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小样他闲聊

POINT

978-1-349-73693-5Palgrave Macmillan, a division of Nature America Inc. 2006

人类学家

合适

2947-5767 nicities, and/or ideologies meet and clash. This work seeks to create discourse among theatre and performance studies, Asian and Asian American studies, and transnational and diasporic studies.978-1-349-73693-5978-1-137-06163-8Series ISSN 2947-5767 Series E-ISSN 2947-5775

modish

The Global Consensus in Chinese Opera on Stage and Screen,erently,” or sitting on stage smoking—is carefully scripted throughout the entire play. Pantomime and symbolic gestures are also used extensively American theatre audiences and readers were provided with a context for this novel staging. As the contemporary scholar Brander Matthews (1852–1929) explained in his prologue,

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myocardium

Introduction: Lotus and Mud,ench? My Chineseness often made my performance as an American risky, despite my longtime acculturation in this country. My love for Godard and Camus probably would not legitimize my French performance. I was worried.

睨视

Daphne Pi-Wei Leims of evolutionary economies and the experiences of Asian growth miracles, and will be of interest to readers in economics and political science concerned with economic growth and development..978-1-4899-8251-3978-1-4419-8026-7