Titlebook: Ontology and Phenomenology of Speech; An Existential Theor Marklen E. Konurbaev Book 2018 The Editor(s) (if applicable) and The Author(s) 2

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The Ontology of Speech and the Nature of Foregrounding,ity in our interpretation as ‘items in display’, as exhibits that have long been dead and are expected to be perceived as valuable impact phenomena? A word in speech may realize its potential only when it is ‘resolved’ by the immediate, broader or external environment, a context. This resolution lie

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Phenomenological Modelling of Speech and Its Perception,nce of speech comprehension and can help people use the rich resources of their language to their best advantage in expressing their ideas or ideals with a greater force and pragmatic power. In normal interpersonal communication, the use of language is determined not only by the intention of the spe

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Pure Generative Phenomenology of Speech, this phenomenon is obtainable only through experiential contemplation. The longer this contemplation lasts, the more active the work of memory becomes, evoking various associations and synonymous rows dynamically forming mental gestalts (unfinished images) in the mind of the perceiving speech agent

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, of Life as a Phenomenon of Speech,older, we are being taught to perceive the language as a system of grammatical categories, syntactical relations, semantic variability. And only very rarely is there anyone to explain to us how the elements of the language can be sewn to form perception patterns. We are given patterns of life in the

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Neurophysiological Roots of the Phenomenon of Life in Speech,r tactile sensations, colours, smells, symphonies of sounds collectively form a holistic image or perception. Brain performs inference, combining sensory information with expectations, that come from the current context or memory. This mechanism forms a habit that is retained genetically by generati

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Marklen E. Konurbaeve Frage nach dem eigenen Erkenntnisinteresse geboten erscheinen lassen. Davon nicht zu trennen, ja eigentlich vorab zu diskutieren wäre zudem das Problem, inwiefern den Romanen Jean Pauls Werkcharakter zuzusprechen ist und ob sie überhaupt als ästhetische Ganzheit interpretiert werden können. Denn v

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