Titlebook: On the Production of Subjectivity; Five Diagrams of the Simon O’Sullivan Book 2012 Palgrave Macmillan, a division of Macmillan Publishers L

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范例

The Strange Temporality of the Subject: Life In-between the Infinite and the Finite (Deleuze contraerences as .), in which a relation of ‘reciprocal determination’ between the actual and virtual is at play in the constitution of any given ‘individual’. I hope to show that at stake in this confrontation are two distinct understandings, or diagrams, of the production of subjectivity.

逗留

psychoanalytical enquiry is the drawing of a series of diagrams of the finite/infinite relation, and the mapping out of the contours for a speculative and pragmatic production of subjectivity.978-1-137-43028-1978-1-137-03267-6

Resection

Introduction: Contemporary Conditions and Diagrammatic Trajectory,e question of the subject.. A return to philosophy as a speculative realm of enquiry (that is, to metaphysics), and a return to philosophy as a way of life. In fact, this is not necessarily a subject that is opposed to the object. It is not a subject that is barred from what Quentin Meillassoux call

侵略

From Joy to the Gap: The Accessing of the Infinite by the Finite (Spinoza, Nietzsche, Bergson), chapters. In particular I want to map out three different models of the production of subjectivity or, which amounts to the same thing, of the finite-infinite relation. In fact, I want to link these three together under one diagram that itself will recur throughout the remainder of this book. I beg

TOXIN

pulse-pressure

Affable

Trypsin

Desiring-Machines, Chaoids, Probe-heads: Towards a Speculative Production of Subjectivity (Deleuze s of the chapter I attempt to extract a definition of the production of subjectivity, understood as a speculative and processual project, from the first and the third books mentioned above. In the first section I employ Bergson’s cone for the last time (before finally abandoning it) in order to pict

战役

Introduction: Contemporary Conditions and Diagrammatic Trajectory,s also to emphasize the processual nature of this subjectivity as always a work in progress: an ethical and aesthetic programme aimed at producing a certain autonomy contra the dominant technologies and logics of subjection of our present moment. We might say then that this subjectivity is both prag