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Titlebook: On the Aesthetics of Roman Ingarden; Interpretations and Bohdan Dziemidok,Peter McCormick Book 1989 Kluwer Academic Publishers 1989 aesthe

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发表于 2025-3-21 16:25:59 | 显示全部楼层 |阅读模式
书目名称On the Aesthetics of Roman Ingarden
副标题Interpretations and
编辑Bohdan Dziemidok,Peter McCormick
视频video
丛书名称Nijhoff International Philosophy Series
图书封面Titlebook: On the Aesthetics of Roman Ingarden; Interpretations and  Bohdan Dziemidok,Peter McCormick Book 1989 Kluwer Academic Publishers 1989 aesthe
描述Roman Ingarden‘s very extensive philosophical work in metaphysics, ontology, epistemology, and aesthetics con­ tinues to attract increasing attention both in Poland and in North America. Further work left uncompleted at his death is appearing. Major bibliographies of his work as well as of studies about his work are now in print. Ingar­ den‘s scattered articles on various questions in philosophy are being collected. And conferences devoted to his work are now held regularly. These diverse activities might suggest a similar diver­ sity in Ingarden‘s philosophical legacy. But such a sugges­ tion would be misleading. For interest in Ingarden‘s work has continued to centre on the one area which is arguably at the core of his achievement, namely the complex prob­ lems of aesthetics. In this field Ingarden seemed to pull together his various interests in ontology and epistemology especially. Here he brought those interests to focus on a set of issues that would occupy him creatively throughout the vicissitudes of his long and difficult scholarly life. More­ over, aesthetics is also the field where Ingarden perhaps most succeeded in orchestrating the many themes he owed to his phenomenolo
出版日期Book 1989
关键词aesthetics; bibliography; comparative; concept; death; interpret; literary studies; metaphysics; ontology; or
版次1
doihttps://doi.org/10.1007/978-94-009-2257-0
isbn_softcover978-94-010-7511-4
isbn_ebook978-94-009-2257-0Series ISSN 0924-4530
issn_series 0924-4530
copyrightKluwer Academic Publishers 1989
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The Sculptural Work of Art,. For although he carefully avoided giving too blatant an impression of being involved in systematic theory construction, out of the diversity of his inquiries into central art forms emerges a beautifully appointed aesthetic theory. And this theory could no more be his than if it carried with it his personal imprimatur.
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Ingarden, Inscription, and Literary Ontology,citly and repeatedly rejects from the ontological make-up of the literary work of art. I refer to the visual or graphic dimension of the literary work; and I mean by this not the visual imagery which the work’s words evoke, by simply the written, printed, or (as we shall for convenience generally denote it) the inscribed form of the text.
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Ingarden on the Theatre,tional value are exceptional. The ideas expressed in both articles are the main subject of my considerations, although Ingarden also dealt with the question of drama and of theatrical performance in many other places in his book, considering them from various angles..
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https://doi.org/10.1007/978-94-009-2257-0aesthetics; bibliography; comparative; concept; death; interpret; literary studies; metaphysics; ontology; or
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The Work of Art and Aesthetic Categories According to Ingarden, work of art. Most modern aesthetic theories seem to share this conviction. However, the explanation of artistic values through the operation of a certain kind of object (works of art) leads to unexpected and even paradoxical results, which appear even in competent and conscientious studies.
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