Titlebook: Nuclear Futures in the Post-Fukushima Age; Literature, Film, an Hester Baer,Michele M. Mason Book 2024 The Editor(s) (if applicable) and Th

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,From Half-Lives to Eternal Life: On Contamination and Isolation in Yōko Tawada’s Post-3.11 Eco-text for more than half of her life. In discussing Tawada’s eco-texts as “radioactive discourse,” the following examines how she strategically highlights physical, linguistic, and political forms of “contamination” in her post-Fukushima speculative fiction. In both “The Island of Eternal Life” and ., Ta

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Animal Babel,mals gather to make plans. They need organization, they need buildings. What follows are fresh permutations on compelling themes often encountered in Tawada’s work: the nature of animal and human; the politics of societies; the vagaries of language; and, importantly, the varieties of misunderstandin

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Our Fukushima, Our Earth: Nuclear Protest Poetry Following Fukushima,poetry. In fact, because of the brevity and ease of publishing poetry, it was the first major artistic genre to respond to the disasters. This chapter addresses the exponential growth of published poetry about 3.11 and offers a rigorous reexamination of the ways poets are discussing and thinking abo

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The Fractured Looking-glass: Twentieth-century History in Post-meltdown Japanese Theater,sulting from the tsunami was a great shock, long-lasting consequences of the nuclear meltdown at the Fukushima Daiichi plant have continued to trouble existing understandings of local and national identity. The duration of nuclear contamination has forced people concerned with the affected areas to

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,Filming the Phantasms of Fukushima: Relationality and Repair in Doris Dörrie’s ,pan, in the aftermath of the 3.11 triple disaster. This chapter examines the range of audiovisual forms Dörrie finds to address the challenge of representing both the invisibility of radiation and the incomprehensible time scales of nuclear fallout. Attending specifically to the figure of haunting i

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