Titlebook: Northern Irish Poetry and the Russian Turn; Intertextuality in t Stephanie Schwerter Book 2013 Palgrave Macmillan, a division of Macmillan

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Stephanie Schwertering a proverb which recommends putting one’s eggs into more than just one basket. The financial transfers of the EU are indeed shared between the East and South in order to avoid the risks of exclusively considering the prospect of enlargement. This chapter will look at how baskets have been shared

Desert

the Union and its policies in the context of the most ambitious enlargement the Union has ever contemplated since the inception of the Communities in the middle of the twentieth century. Among other salient points are the need to complete and further develop the Internal Market as well as ensure th

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,Introduction: ‘And Every Evening Surprised that I Was Still Alive I Repeated Verses’,to pre- and post-revolutionary Russia. Within their work, they establish parallels and differences between Russia and Northern Ireland in terms of history, politics, literature and culture, while at the same time creating correlations between themselves and various Russian authors. In this way, the

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No Vodka, Aquavit or Uisquebaugh: The Russian Connection in the Work of Seamus Heaney, poet’s recourse to difference and otherness as a reflection of Stephen Dedalus’ desire ‘to fly by those nets of language, nationality and religion’.. With this image, O’Brien captures Heaney’s quest for a kind of poetry situated ‘above’ the established ideological positions of Irish Nationalism and

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Conclusion, alienating view of the Northern Irish situation. Moving away from an ‘insular’ vision of the conflict, they place the region into an international context with the intention of giving rise to alternative perceptions of local tensions. The three poets employ Shklovsky’s technique of defamilarisation

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