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Titlebook: Nordic Noir, Adaptation, Appropriation; Linda Badley,Andrew Nestingen,Jaakko Seppälä Book 2020 The Editor(s) (if applicable) and The Autho

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发表于 2025-3-21 16:06:42 | 显示全部楼层 |阅读模式
书目名称Nordic Noir, Adaptation, Appropriation
编辑Linda Badley,Andrew Nestingen,Jaakko Seppälä
视频video
概述Approaches Nordic noir from a unique angle, in terms of adaptation, appropriation, translation and related phenomena.Brings together international experts to analyse the global circulation, influence
丛书名称Palgrave Studies in Adaptation and Visual Culture
图书封面Titlebook: Nordic Noir, Adaptation, Appropriation;  Linda Badley,Andrew Nestingen,Jaakko Seppälä Book 2020 The Editor(s) (if applicable) and The Autho
描述.This book argues that adaptation is an underrecognized yet constitutive element of Nordic noir. In so doing, it reframes the prevailing critical view. Now celebrated for its global sweep, Nordic noir is equally a transmedial phenomenon. .Nordic Noir, Adaptation, Appropriation. deploys the tools of current adaptation studies to undertake a wide-ranging transcultural, intermedial exploration, adding an important new layer to the rich scholarship that has arisen around Nordic noir in recent years..
出版日期Book 2020
关键词Nordic Noir; Scandinavian Crime; Adaptation; Appropriation; Translation; Paratext; Transmedia; Center/Perip
版次1
doihttps://doi.org/10.1007/978-3-030-38658-0
isbn_softcover978-3-030-38660-3
isbn_ebook978-3-030-38658-0Series ISSN 2634-629X Series E-ISSN 2634-6303
issn_series 2634-629X
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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The Postman Rings Yet AgainCarlmar (director) and Otto Carlmar (producer) in 1949. This article will demonstrate the close resemblance between . and Tay Garnet’s adaptation of . (1946). In doing so, the article will provide an understanding of how a genre like film noir might travel from one continent to another, and the remolding that takes place in that process.
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Arctic Noir on Screen: , (2016–) as a Mix of Geopolitical Criticism and Spectacular, Mythical Landsc, critical, societal “plot,” and (c) the cinematic landscape. I analyze the landscapes in the series and link them to the idea of the Arctic sublime in art and cultural history. The article asks whether the distinct premises and gazes in Arctic noir support and reinforce each other or, perhaps instead, compete and conflict with each other.
发表于 2025-3-23 01:05:05 | 显示全部楼层
: Shades of Nordic Noir in an Arctic WesternLapland can also be seen as a Finnish version of the Wild West. . exemplifies both the mutation and vitality of Nordic noir as a style, demonstrating that it can be adapted by other genres, even by an arctic western.
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Anticipating Adaptation and Tracing the (In)Visible: David Lagercrantz’ , as Implicit Film Scriptn studies as well as ‘invisibility studies,’ including surveillance technologies—the overarching theme of Lagercrantz’ book. But invisibility also concerns adaptations, as here the source text is only implicitly present, and also as a not yet visible (finished) film is traceable in the novel’s prose.
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