Titlebook: New York School Collaborations; The Color of Vowels Mark Silverberg Book 2013 The Editor(s) (if applicable) and The Author(s) 2013 aestheti

尽管

Ballet, Basketball, and the Erotics of New York School Collaboration,crucial distinction: “Schneeman and his poet-friends felt hemmed in by the same traditions that upset Foucault. But, feeling no need to score theoretical points, they simply left such obstacles behind as they moved out into the open spaces where the new is possible” (25).

弯腰

,Slippery Subjects: Thoughts on the Occasion of Ashbery and Koch’s “Death Paints a Picture”,c collaborations by Ashbery and Koch that follow “amusing intricate rules” (as Koch once termed them) of the poets’ own devising, while at the same time also managing to fit, if only just, under the “poets on painting” rubric imposed upon them on this occasion by . (qtd. in Lehman 84).

硬化

BOOM

,“Everything Turns into Writing”: Rhizomes and Poetry Re-Processings in Ted Berrigan’s ,on on the 1960s avant-garde community—its relationship with the first generation of the New York School poets and its ambitions. In addition, his role as the editor of . puts him at the center of the collaborative publishing activities of the New York School scene, which has led scholars to propose biographical accounts of his poetry.

肌肉

,Mourning Coterie: Morton Feldman’s Posthumous Collaborations with Frank O’Hara,n the New York School poets and their musician and artist compatriots.. The friendship between composer Morton Feldman and Frank O’Hara—one of the most significant relationships within the New York School—exemplifies this mournful mode of sociability but has been little commented upon.

喊叫

metropolitan

2192-3671 ife cycle.Contains key chapters on artificial intelligence, This volume provides cutting-edge research from malaria parasitology and records the success story of disease control in China. The country, which was certified malaria-free by the World Health Organization in 2021, looks back on 70 years o