Titlebook: New York Ricans from the Hip Hop Zone; Raquel Z. Rivera Book 2003 Raquel Z. Rivera 2003 Africa.African.African American.America.boundary e

Limbic-System

书目名称New York Ricans from the Hip Hop Zone影响因子(影响力)




书目名称New York Ricans from the Hip Hop Zone影响因子(影响力)学科排名




书目名称New York Ricans from the Hip Hop Zone网络公开度




书目名称New York Ricans from the Hip Hop Zone网络公开度学科排名




书目名称New York Ricans from the Hip Hop Zone被引频次




书目名称New York Ricans from the Hip Hop Zone被引频次学科排名




书目名称New York Ricans from the Hip Hop Zone年度引用




书目名称New York Ricans from the Hip Hop Zone年度引用学科排名




书目名称New York Ricans from the Hip Hop Zone读者反馈




书目名称New York Ricans from the Hip Hop Zone读者反馈学科排名

delusion

New York Ricans from the Hip Hop Zone978-1-4039-8167-7Series ISSN 1554-4028 Series E-ISSN 2634-520X

皱痕

Whose Hip Hop?op became synonymous with the one art form that had from its inception been most intensely identified with African Americans, namely rap. Subsequent creative developments and mass marketing strategies—which did not operate independently of each other—further intensified this identification.

某人

Sleep-Paralysis

Between Blackness and to balance two identity categories—blackness and .—that are frequently imagined to be mutually exclusive. Their strategies of negotiation have shifted during the course of hip hop’s three-decade history in response to the predominant understandings regarding cultural “entitlement” and “authenticity.”

哀求

invert

https://doi.org/10.1057/9781403981677Africa; African; African American; America; boundary element method; city; culture; hip; Hop; identity; interp

maverick

Enter the New York Ricanshe position of New York Puerto Ricans in hip hop culture must be understood within the historical context of Puerto Rican migration to New York City, their placement within the city’s racial and socioeconomic hierarchies and their relationship with African Americans and other Latinos.

杠杆

G-spot