Titlebook: New Waves in Aesthetics; Kathleen Stock (Senior Lecturer in Philosophy),Kat Book 2008 Palgrave Macmillan, a division of Macmillan Publishe

悲痛

Incise

A Metaphysics of Creativity,the moment what this fact amounts to, just assume that there is some truth to it. This fact is at tension with another fact: aestheticians, at least of the analytic school, have said very little about creativity relative to other special features of art.

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Locale

New Waves in Philosophyhttp://image.papertrans.cn/n/image/666070.jpg

虚构的东西

Book 2008Leading young scholars present a collection of wide-ranging essays covering central problems in meta-aesthetics and aesthetic issues in the philosophy of mind, as well as offering analyses of key aesthetic concepts, new perspectives on the history of aesthetics, and specialized treatment of individual art forms.

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爱花花儿愤怒

Davidson, Metaphor and Error Theory, elucidating the dependence of metaphorical language upon its literal base, and upon its context of utterance, can also be seen to have resulted from sustained critical engagement with Davidson’s article.

褪色

Personifying Art,njamin’s ‘aura’—to perceive which is to invest an object ‘with the ability to look at us in return’.—provides a clear instance of personification in the visual arts, as, more recently, does Roger Scruton’s ‘indispensable metaphor’ about music that ‘the notes in music follow one another like bodily m

LURE

Danto and Kant, Together at Last?,ated—to see whether Kant’s aesthetics withstands the challenge. That Danto’s theory speaks to contemporary art hardly bears saying; his ontology was conceived in order to meet the challenges posed by art after modernism— but Kant and contemporary art? According to current consensus, the value of Kan