Titlebook: New Tragedy and Comedy in France, 1945-70; Peter Norrish Book 1988 Palgrave Macmillan, a division of Macmillan Publishers Limited 1988 com

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https://doi.org/10.1007/978-1-349-06780-0comedy; death; drama; France; French; French drama; Jean-Paul Sartre; morality; oral discourse; philosophy; pl

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Samuel Beckett: New Tragedy,s scepticism extends to remarks about the limited power of art itself. There are apparent obsessions which recur in different forms both in his plays and in his equally original and strange novels and poems, and these recurrences help to show the main lines of this thought.

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The Background: From , to ,the century by playwrights like Beckett and Ionesco. To appreciate its richness and its scope we need to look at it first on a broader base, as it appeared earlier in the century. We may then see how the Anouilh and Sartre plays heralded further moves, by Sartre himself and by Camus, to apply philosophy to drama.

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Fernando Arrabal: Tragic Farce,ates on more personal and psychological factors. For Arrabal himself has constantly referred in these interviews to the autobiographical nature of most of his writing, particuarly his obsession with unhappy childhood memories and the nightmares they contain. ‘Writing is perhaps a compensation, a liberation for me,’ he adds..

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Introduction: New Tragedy and Comedy,y on the decline. Feelings like loneliness, and fear in the face of torture, or death to be suffered or inflicted, were evoked in similar ways and circumstances to those André Malraux featured in his great novel of 1933, .’. For already in the first half of this century, the fundamentals of living a

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Henry de Montherlant: Tragedy and Morality,rlant (1896-1972). He wrote most of his plays late in life, from 1945 onwards, but it is necessary to take into account also his dramatic and non-dramatic work before that date, when he made secure his place as a leading dramatist by writing . (., 1948). Other twentieth-century French playwrights ha

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Samuel Beckett: New Tragedy,horism from . gives promise of a lively use of humour blended with scepticism, as well as originality of style. Samuel Beckett (b. 1906) followed up this promise in all respects to the point of the highest artistic excellence, which was recognized by the world of letters when he won the Nobel prize