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Titlebook: New Media Dramaturgy; Performance, Media a Peter Eckersall,Helena Grehan,Edward Scheer Book 2017 The Editor(s) (if applicable) and The Auth

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发表于 2025-3-21 18:09:42 | 显示全部楼层 |阅读模式
书目名称New Media Dramaturgy
副标题Performance, Media a
编辑Peter Eckersall,Helena Grehan,Edward Scheer
视频video
概述Identifies and examines changes to live performance occasioned by the rise of digital media in contemporary theatre aesthetics.Formulates a new framework for both analyzing and creating contemporary n
丛书名称New Dramaturgies
图书封面Titlebook: New Media Dramaturgy; Performance, Media a Peter Eckersall,Helena Grehan,Edward Scheer Book 2017 The Editor(s) (if applicable) and The Auth
描述This book illuminates the shift in approaches to the uses of theatre and performance technology in the past twenty-five years and develops an account of new media dramaturgy (NMD), an approach to theatre informed by what the technology itself seems to want to say. Born of the synthesis of new media and new dramaturgy, NMD is practiced and performed in the work of a range of important artists from dumb type and their 1989 analog-industrial machine performance .pH., to more recent examples from the work of Kris Verdonck and his A Two Dogs Company. Engaging with works from a range of artists and companies including: Blast Theory, Olafur Eliasson, Nakaya Fujiko and Janet Cardiff, we see a range of extruded performative technologies operating overtly on, with and against human bodies alongside more subtle dispersed, interactive and experiential media.
出版日期Book 2017
关键词arts; drama; dramaturgy; media; New Media; performing arts
版次1
doihttps://doi.org/10.1057/978-1-137-55604-2
isbn_ebook978-1-137-55604-2Series ISSN 2947-6801 Series E-ISSN 2947-681X
issn_series 2947-6801
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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From Extreme Light to Total Darkness: The Dramaturgy of Organised Light,tions, and light and video displays in installation works exhibited in gallery spaces. We draw on Sean Cubitt’s idea of ‘organised light’ (., Open Humanities Press, London: 2015, 45) as the functional ability to focus and amplify light in parallel with developments of the technologies of luminescenc
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The Theatrical Superfield: On Soundscapes and Acoustic Dramaturgy,Chion, ., Columbia University Press, New York: 1994, 150). With the development of high-fidelity sound systems, sound presence in film (‘projected’ in cinematic speaker arrays and even via headphones inserted into the ear canal) is superabundant; it is a resonant field that can be more sensorially c
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Play/Pause, FF/Rewind. End. Machine Times, End Times: Theatre, Live Film and Video,rmation of a practice looking backwards and forwards, communicating histories and the future worlds of NMD. This chapter deals with questions of temporality and belatedness in NMD and considers modalities of machinic temporality through a number of examples of work that seem to betray a dramaturgica
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Post-NMD?,guages of contemporary media but is not the same as the ‘media’ broadly constituted, but has a materiality and a particular critical cultural presence. We argue that it deploys new media to counteract the ‘cognitive automatism’ (Berardi) and the bland anthropomorphism of contemporary media experienc
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