Titlebook: New Documentary Ecologies; Emerging Platforms, Kate Nash,Craig Hight,Catherine Summerhayes Book 2014 Palgrave Macmillan, a division of Mac

矛盾

Strategies of Participation: The Who, What and When of Collaborative Documentariese been tempted to invite their audiences into what was previously considered their very own walled garden: the production of the documentary itself. One way to transform what was previously called an audience to what has been called . in the world of collaborative media is to allow User Generated Co

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An Interview with Jigar Mehta, Director of Operations, audiences. In 2011 he was awarded a Knight Journalism Fellowship at Stanford University to explore possibilities in collaborative journalism. While at Stanford, events in Egypt captured his attention and he began to think about how the blogs, images, tweets and status updates being created by Egypt

ensemble

Making (with) the Korsakow Systemeating non-linear and/or interactive narratives for and/or on the web. Each has been used to create web-based documentaries. All claim to be easy to use, with drag-and-drop interfaces, and no programming required. This expanding range of accessible ‘new media’ authoring tools. falls into a category

Polydipsia

The Evolution of Animated Documentarycumentary were made prior to the 1990s, and some may argue that animated documentaries have been around since the earliest days of cinema, but it is only over the past two decades that animated documentary has claimed a place, albeit a relatively low profile one, in the documentary canon. While most