Titlebook: New Directions in Popular Fiction; Genre, Distribution, Ken Gelder Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Genre.Aut

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微枝末节

Love in the Time of Finance: Eliza Haywood and the Rise of the Scenic Novelpecific events and exchanges (‘that scene where…’). They play an equally important structuring role for the writer, too. As Leigh Michaels explains in . (2007), ‘writing a book doesn’t look like such an overwhelming project if you think of the task in terms of constructing the individual scenes that

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Colonial Australian Detectives, Character Type and the Colonial Economycentury. The first Australian (that is, locally published) novel is generally agreed to be . (1832), written by Henry Savery, a convicted forger who was transported to Van Diemen’s Land (Tasmania) in 1825 and—convicted once more of forging financial documents—died as a prisoner in Port Arthur in 184

鄙视读作

‘The Floodgates of Inkland were Opened’: Aestheticising the Whitechapel Murdersin fiction and in fact. To the area’s worn-down inhabitants, the deaths of five prostitutes would have been unremarkable were it not for the horrific manner in which these women were killed. Inevitably, newspaper coverage of these killings was sensational and lurid. However, the murders—for which th

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Did Indians Read Dime Novels?: Re-Indigenising the Western at the Turn of the Twentieth Century tradition of scholarship analysing and exposing the kinds of cultural work done by stereotypes of Indigeneity in popular fiction—especially as it mushroomed in the new dime novels and frontier club formulas at the turn of the twentieth century—and how that work supported colonisation and violent se

Parley

Unno Jūza and the Uses of Science in Prewar Japanese Popular Fictionarts. In Europe and North America, science fiction was fairly well established by the 1920s, having appropriated tenets from modernism as well as other genres of popular fiction—fantasy, adventure, mystery, romance and so on—and from authors as varied as Edgar Allan Poe, Jules Verne, H.G. Wells, Aug

周兴旺

Postmenopause

From Middle Earth to Westeros: Medievalism, Proliferation and Paratextualitynd how they are circulated and enjoyed. ‘Plot driven’ and ‘character driven’ are commonplace descriptions of modern fiction, and often mark a distinction between genres of differing value. While these phrases are most usually deployed in non-academic writing such as reviews and other opinion-based w