Titlebook: New Argentine and Brazilian Cinema; Reality Effects Jens Andermann,Álvaro Fernández Bravo Book 2013 Palgrave Macmillan, a division of Natur

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书目名称New Argentine and Brazilian Cinema影响因子(影响力)




书目名称New Argentine and Brazilian Cinema影响因子(影响力)学科排名




书目名称New Argentine and Brazilian Cinema网络公开度




书目名称New Argentine and Brazilian Cinema网络公开度学科排名




书目名称New Argentine and Brazilian Cinema被引频次




书目名称New Argentine and Brazilian Cinema被引频次学科排名




书目名称New Argentine and Brazilian Cinema年度引用




书目名称New Argentine and Brazilian Cinema年度引用学科排名




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书目名称New Argentine and Brazilian Cinema读者反馈学科排名

金哥占卜者

Documentary Cinema and the Return of What Was,ocedure capable of demonstrating the idea that the sense given to an event does not simply depend on recognizing the event, but also on strategies of representation or the way in which these strategies are directed at the viewer; that is, the way in which the subject is approached by the film.

肌肉

arthroscopy

obstinate

The Self as Other: Reality, Archive, and the Witness in Three Contemporary Latin American Films,s without falling into the temptation of rapidly transforming them into film characters” (Comolli, 2007:131). The strategies for the decomposition of the self and the use of both the third person as well as the archive to present a self-image are the focus of my work.

蛤肉

boisterous

IOTA

José Carlos Avellarpace trajectories. Thus, a many-body system cannot be characterized by a single microstate, but rather by an ensemble of microstates. This statistical ensemble of microstates represents the macrostate which is specified by the macroscopic state variables .,.... (see Fig. 2.1).

嘴唇可修剪

CANON

1554-4028 re-emergence of the real as a prime concern in contemporary Argentine and Brazilian film, and as a main reason for the acclaim both cinematographies have won among international audiences in recent years.978-1-349-45461-7978-1-137-30483-4Series ISSN 1554-4028 Series E-ISSN 2634-520X