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Titlebook: New American Dramatists 1960–1990; Ruby Cohn Textbook 1991Latest edition Ruby Cohn 1991 America.drama.dramatist.edition.play.women

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发表于 2025-3-21 19:47:02 | 显示全部楼层 |阅读模式
书目名称New American Dramatists 1960–1990
编辑Ruby Cohn
视频videohttp://file.papertrans.cn/665/664771/664771.mp4
丛书名称Modern Dramatists
图书封面Titlebook: New American Dramatists 1960–1990;  Ruby Cohn Textbook 1991Latest edition Ruby Cohn 1991 America.drama.dramatist.edition.play.women
描述In the second edition of her New American Dramatists Ruby Cohn carries her panoramic survey to 1990. Not only does she augment the existing chapters on Broadway, off-Broadway, and off-off-Broadway, but she adds new material on women playwrights as well as Asian-American dramatists. With the emergence of David Mamet and Sam Shepard as major playwrights, she contrasts them for mutual illumination.
出版日期Textbook 1991Latest edition
关键词America; drama; dramatist; edition; play; women
版次2
doihttps://doi.org/10.1007/978-1-349-21389-4
copyrightRuby Cohn 1991
The information of publication is updating

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,Ladies’ Day: Owens, Howe, Henley, Norman, society grow increasingly critical of male privilege, theatre doors are opening to female playwrights. But not very wide. In the main, Broadway has supported white middle-class ladies, when it has supported them at all. From Anna Cora Mowatt to Wendy Wasserstein, box office successes depict educate
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Agit-Prop and Political Purpose: the Becks, Holden, Valdez, Nelson,h of the Radical Theatre Repertory, which proclaimed,.With the exception of the Firehouse Theatre in Minneapolis (but soon thereafter in San Francisco), the nineteen radical groups of the Repertory were located on the two coasts of the United States, thirteen in New York. Although the members agreed
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From Gay to Ridiculous: Duberman, Patrick, Tavel, Bernard, Ludlam,omosexuality is a main theme’. Editor William Hoffman pinpoints Mae West’s . (1927) as the first American homosexual play. In ., as well as her . (1928) Hoffman hears a plea for sexual tolerance. I hear that plea also in Lillian Hellman’s . (1934), but Hoffman finds that she treats homosexuality ‘wi
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Visuals, and Visions: Foreman, Breuer,orged influential visual modes in theatre: Peter Schuman of the Bread and Puppet Theatre; Robert Wilson, originally of the Byrd Hoffman Foundation; Richard Schechner of the Performance Group; Richard Foreman of the Ontological Hysteric Theatre; Lee Breuer and JoAnne Akalaitis of the Mabou Mines; and
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https://doi.org/10.1007/978-1-349-21389-4America; drama; dramatist; edition; play; women
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